Nicola Griffith is a fantastic science fiction and detective story writer. Most of her stories centre around very strong feminist characters (this is a plus - she pulls it all off without rubbing your nose in).  
This review is ancient, but was rewritten 12th January, 2010.  
I first discovered 
Nicola Griffith via the 
Bending  the Landscape: Original Gay and Lesbian Writing: Science Fiction  (she coedited this book with Stephen Pagel). Which I am now going to fan about a bit.
 I thought it would just be another rag-tag collection of Sci-Fi but it is REALLY REALLY good.This is one of those must-reads. It has a few let downs - especially near the beginning - where they belabour the 'gay' issue at the expense of much story. But the rest of it? Amazing. One of those multi-genre award winning masterpieces that one hopes for with every Anthology and rarely gets. It won the
 Lambda Literary Award, Lesbian and   Gay Science Fiction, Fantasy & Horror; Gaylactic Spectrum Award and 
Stonewall Book Award:   Literature (finalist))
 I  didn't expect to be 'good', just 'gay themed' so I was blown away (did I mention that?)  to   find the actual stories were up with all the other amazing fantasy   stories I've ever read. 
I would rate this book up there with 
George RR Martin's Dreamsongs. It is mostly science fiction - time travel, robots, alternate realities, virtual worlds, space ships and the future - although it wavers over past the semi-illusionary edge of Fantasy, on occasion.
The 
Bending   the Landscape: Fantasy   volume  is good, but not as mindblowing; it also won two awards - 
Lambda Literary Award,  Lesbian and Gay Science Fiction, Fantasy  & Horror and the 
World  Fantasy Award, Best Anthology. I can't get the 
Horror anthology in New Zealand, but it did win a 
Gaylactic Spectrum Award .
The  only downside of these anthologies is that while they all have gay  themes, lesbians (or bisexual women) tend not to appear as often (one of  the reasons I started 
compiling this list!).
 I  grew up with the notion that 'escapist' reading was intellectually  inferior to coolly analytical text, but now I'm on the side of Tolkien:  those most likely to be upset by the notion of escape are the jailers.  Now I'll read anything, as long as it's good, as long as it gives me  that sense of multiplication, of time travel and life extension.
  NICOLA  GRIFFITH
What else of hers have I read? Well, there's 
Ammonite, 
Slow River and 
Always. 
Ammonite is very, very good - and very interesting... Sci-fi -  woman going to study a planet that has been cut off for centuries; a  virus killed off all the men (and some women) so many non-tech different  cultures have sprung up; the women can self-induce diploid conceptions;  the 'Company' has a base of soldiers/security but will probably kill  them off (as it's cheaper) if the vaccine they're testing doesn't  protect against the virus. It reminded me a bit of '
Brother's Price' by Wen Spencer - it's  all women, they *assume* it's going to be a woman, and sometimes it  isn't even mentioned that it is a woman, so you don't realize until  later; and the interactions are fascinating. In a way, those stories are  a lot simpler, because they don't have to include or adjust for or  explain gender interactions - it's one less variable, unfortunately a  significant one. The other side of this - the evolutionary issues of  male and female roles and dual pregnancies, and the apparent uniform  biological attraction of all women to other women is not addressed. This  has been written up far better by 
Danielle  L Parker in a previous Ammonite review.
Always is quite late in a series (after 
The Blue Place and 
Stay, which I can't find in NZ), and is running a dual  timeline (flashbacks every other chapter) between the past - character  running a self defence class for women, leading up to some drama, which  is really interesting and includes a lot of real information (the best  way to... injure, think, act. Characterisation, attitudes and how people  can manipulate you... as well as ways to pop someone's eyeball, the old  'everything is a weapon' drill). The other timeline is sort-of a  detective story, the character is both very intelligent, paranoid, and  tough. Some kind of current or ex- police/detective (is late in series,  as mentioned, so I don't quite know the backstory).
Slow  River is a stand alone science fiction book. About a futuristic, decaying society, it has interesting realistic  characters, dysfunctional families, and jumps about a lot - a real pain  to start with but fascinating by the end, with the various timelines in  the girl's life unfolding in parallel, and others - think Sheri S.  Tepper-style/quality/philosophical level.
I'm annoyed because she's not very commonly found here in NZ, I only own  
Ammonite - actually, that is partly because I lean towards the  sci-fi or fantasy when buying books I haven't read, and a lot of her  books aren't.
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